![]() ![]() ![]() It is with in this vacuum that I propose the literary device, the father and son trope, as an effective means for developing a discourse on the power struggle that is colonialism. The childhood world of Hugo Hamilton, born and brought up in Dublin, is a confused place. While multiple literary critics have paid huge attention to the figure of Ireland as mother-and, indeed, Ireland in other female roles (Old Woman, beautiful young queen, fabulous Sky Woman)-few have interrogated what dynamic father-son relationships "say" in stories, whether novels or plays, conscious of shifting political, social, and cultural realities in Ireland. Each text comes from a different historical moment, but each of these moments is distinguished by major change, a change so paradigm-shifting as to be worthy of the adjective millennial. Synge’s The Playboy of the Western World, and Hugo Hamilton’s The Speckled People. Johannes (Hugo) has not yet learned to query all he observes: 'When you're small you know nothing'. ![]() On the one hand, experiences can be conveyed in a direct and innocent way. His use of the language of a child has advantages and challenges. This thesis addresses the complex relationship between fathers and sons in three highly successful literary texts that grapple with Irish nationalism: Sydney Owenson’s The Wild Irish Girl, J.M. The Speckled People is an intimately personal chronicle of his youth. ![]()
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